By dint of muscular and artistic power, he is cast away by a subtle, tridimensional process into the far reaching spheres of today’s artistic creations. There rises a mighty form of art : the shades underline the main, plain and pure lines.
There rise the volumes and the careful polish enhance the mineral matter.
From the original marble piece to the bronze or aluminum works there oozes the delicate touch by way of a plain aesthetic drive which bursts forth and is the specificity of the artist. Pellini is able to catch the very essence of things and shuns complexity. States the artist willingly: «Technique can’t dominate art», «to reach plainness one has to be right».
These aphorisms perfectly apply to his productions. This plainness of his should be seen as a straightforward, aesthetic and forceful drive to the essential, which can also be found in his nature. This artist enthralls you with his omnipresent character. That is precisely what singles him out : that never ending quest, that obvious refusal of realism, those timeless conceptions that are akin to abstraction and which are quite figurative, though.
If Ge Pellini is often called abroad it is to work on a large scale. In China his famous «French Kiss» carved on the spot in a 50 ton block – can be found in the world’s largest sculpture par